“Kaylyn, who is Northern Tutchone and Tlingit, beads and tufts earrings, pendants, chokers, bolo ties, cuffs, and more. Her creations use traditional techniques, but her colour and pattern choices are dizzyingly anti-conventional. She often incorporates high-contrast black and white quillwork into her flowers. And, she’ll often give each petal an entirely different treatment; beaded stripes, then orange tufting, then neon pink. Sometimes her tufts are multi-colour, resembling tie-dye or even graffiti-style spray-paint. For this technique, Kaylyn learned hair-dying tips from her hairdresser and applied them to caribou hair. As she also incorporates gems, metallics, crystals, gold – each piece becomes an audacious garden, a feast for the eyes.⁠⠀ Her work though, is more than aesthetic experience. Each piece is inspired by a memory or a story or a friend. ‘I heard a phrase one time – symphony of thoughts – that I really like,’ says Kaylyn. ‘It is what my pieces are. So many textures, never flat. I give myself permission to try things. I do whatever I feel like in the moment!’”

Write up by: Sarah Swan

In Northern Tutchone dintth'in means the dry brush used to start a fire. I would love to be able to have created 10 outfits per season & thought that starting with 2 was a good way to start that dream. When you're building a fire you need that dry brush to carry the flame to the bigger pieces, so it catches & is able to stay lit. I thought of this project as starting smaller & making an impact that creates anticipation for my future projects that can grow larger. Within this collection I decided to revisit my childhood love of writing poetry, my new love of sound, and combine that with beadwork & the term 'wearable art' to blend traditional & contemporary designs that would tell stories & memories from my childhood. Since this collection is seasonal, I decided that I would also combine that with apparel using designs and inspiration from the two outfits in that season.